Creator Producer

Department: Marketing

Employment Type: Full Time

Location: Remote, South Africa, Remote

The Role

• Own creator delivery for a portfolio of brands, from the moment a brief lands to final handover
• Act as the primary point of contact for creator work across your accounts
• Hold the timeline yourself: you are the person who knows where every deliverable sits and what is at risk
• Flag slippage before the client feels it, with a plan attached

• Turn a client brief into a casting spec: who we need, why, and what they have to prove
• Cast against product personas rather than follower counts, SKU by SKU
• Source across TikTok and Instagram, and through Trybe, CreatorIQ and Nectar
• Negotiate fixed rates, issue contracts, and manage product and shipping logistics
• Present a shortlist a client can approve without a second round

• Write briefs granular enough to be executed by someone you have never met, in a room you have never seen
• Direct remotely: framing, lighting, pacing, delivery, and the specific detail that makes a shot reusable
• Work alongside a creative strategist who owns the concept while you own whether it gets made properly
• Coach creators through revisions without losing the relationship

• QA every asset against the brief and the agreed terms before it reaches a client
• Run revisions, recasts and reshoots when the first pass is not right
• Hand off cleanly to editors and keep post moving
• Keep the tracker current so anyone can pick up the account cold

• Present creator work and talk fluently about why it was cast and built that way
• Absorb volume spikes without dropping quality, and say so early when volume outruns capacity
• Feed performance learnings back into the next casting spec
• Build the process so it is repeatable by someone other than you

The Person

• You have run accounts before: You have carried a portfolio of brands yourself, not assisted on one. You know the difference between being busy and being accountable.
• Casting judgment: You can look at a brief and know who should be in front of the camera. Follower count is the least interesting thing you look at.
• Briefs that survive contact: Your briefs get executed correctly by people you have never met. That is a writing skill and a directing skill at once.
• Direction at a distance: You can get a specific shot out of a creator in another country over a text thread. Over-communication is a habit, not an effort.
• Negotiation and paperwork: Rates, usage, deliverables, deadlines. You close terms cleanly and you hold people to them without souring the relationship.
• Volume without slippage: Our busiest account has run seven to eight briefs a month across roughly thirty creators. You should read that and feel calm.
• Bonus: platform fluency: Trybe, CreatorIQ, Nectar or similar. Useful, not required. We can teach the tools. We cannot teach the taste or the follow-through.

Benefits Through Marketing Pros